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RESTE


• Hand-bound book, hard cover, 119 pages, 2017

This editorial project explores family pictures as vessels for memory and their transformation through time. Through a dialogue between texts, images, and drawings, it reflects on disappearance, the passage of time, and above all, on what endures. Photography is approached here as a form of resilience: not to preserve what was, but to stay close to what shifts, fades, and continues in another form.

Chapter 1 drifts through holiday pictures taken by my brother in Syria in the 1990s. Moments of stillness, an obsession for truchs, exploration of historical sites: all fragments of a country now mostly reduced to ruin after years of war. In these quiet scenes, something resists erasure. Something stays.

Chapter 2 turns to Kodachrome diapositives from the 1960s and 70s, from the time of my mother’s childhood, now ghosted by fungi. The original scenes dissolve, but the emulsion speaks another language, of time, of transformation, of the beauty that sometimes emerges when memory breaks open.